Exploring emotions in Bach chorales: a multi-modal perceptual and data-driven study

Author:

Parada-Cabaleiro Emilia123ORCID,Batliner Anton4,Zentner Marcel5,Schedl Markus12

Affiliation:

1. Institute of Computational Perception, Johannes Kepler University Linz, Linz, Austria

2. Human-Centered AI Group, AI Laboratory, Linz Institute of Technology (LIT), Linz, Austria

3. Department of Music Pedagogy, Nuremberg University of Music, Nuremberg, Germany

4. Chair of Embedded Intelligence for Health Care and Wellbeing, University of Augsburg, Augsburg, Germany

5. Department of Psychology, University of Innsbruck, Innsbruck, Austria

Abstract

The relationship between music and emotion has been addressed within several disciplines, from more historico-philosophical and anthropological ones, such as musicology and ethnomusicology, to others that are traditionally more empirical and technological, such as psychology and computer science. Yet, understanding the link between music and emotion is limited by the scarce interconnections between these disciplines. Trying to narrow this gap, this data-driven exploratory study aims at assessing the relationship between linguistic, symbolic and acoustic features—extracted from lyrics, music notation and audio recordings—and perception of emotion. Employing a listening experiment, statistical analysis and unsupervised machine learning, we investigate how a data-driven multi-modal approach can be used to explore the emotions conveyed by eight Bach chorales. Through a feature selection strategy based on a set of more than 300 Bach chorales and a transdisciplinary methodology integrating approaches from psychology, musicology and computer science, we aim to initiate an efficient dialogue between disciplines, able to promote a more integrative and holistic understanding of emotions in music.

Funder

Austrian Science Fund

Publisher

The Royal Society

Subject

Multidisciplinary

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3. Madell MG. 2019 Philosophy, music and emotion. Edinburgh, UK: Edinburgh University Press.

4. Meredith D. 2016 Introduction. In Modern methods for musicology (eds T Crawford L Gibson) pp. 1–6. London UK: Routledge.

5. Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening

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