1. See A. Walmsley, The Caribbean Artists Movement: 1966–1972 (London: New Beacon Books, 1992)
2. and my ‘Francis Newton Souza and Aubrey Williams: Entwined Art Histories at the End of Empire’ in S. Faulkner and A. Ramamurthy (eds), Visual Culture in Britain at the End of Empire (London: Ashgate, 2006).
3. E. Chambers, The Emergence and Development of Black Visual Arts Activity in England between 1981 and 1986: Press and Public Responses, PhD thesis (Goldsmiths College, University of London, 1998).
4. Keith Piper, ‘The Fictions of Science’, 1996. Reproduced in D. Chandler (ed.), Keith Piper: Relocating the Remains (London: Institute of International Visual Arts and the Royal College of Art, London, 1997), p. 88.
5. Again, see Chandler, 1997 op. cit., and the artist’s own writing: K. Piper, A Ship Called Jesus (Birmingham: Ikon Gallery, 1991)