Preserving the Ephemeral: A Micro-Invasive Study on a Set of Polyurethane Scenic Objects from the 1960s and 1970s

Author:

Costantini Rosa1,Nodari Luca1ORCID,La Nasa Jacopo2ORCID,Modugno Francesca2,Bonasera Lucia2,Rago Sara3,Zoleo Alfonso4ORCID,Legnaioli Stefano5ORCID,Tomasin Patrizia1ORCID

Affiliation:

1. Institute of Condensed Matter Chemistry and Technologies for Energy, National Research Council, (ICMATE-CNR), Corso Stati Uniti 4, 35127 Padova, Italy

2. Department of Chemistry and Industrial Chemistry, University of Pisa, Via Giuseppe Moruzzi 13, 56124 Pisa, Italy

3. Department of Cultural Heritage: Archaeology and History of Art, Cinema and Music, University of Padova, Piazza Capitaniato 7, 35139 Padova, Italy

4. Department of Chemical Sciences, University of Padova, Via Marzolo 1, 35131 Padova, Italy

5. Institute of Chemistry of Organometallic Compounds, National Research Council, (ICCOM-CNR), Via Moruzzi 1, 56124 Pisa, Italy

Abstract

Among the innovative materials used by 20th-century artists, polyurethane (PUR) has been shown to be highly unstable, and therefore artworks made of it are now in need of careful conservation strategies. This study presents a multi-analytical investigation of PUR foam scenic objects originally made between the 1960s and 1970s during the Italian Arte Viva movement. The main components in the foam and additives were characterized through micro attenuated total reflectance infrared spectroscopy (μ-ATR-FTIR) and pyrolysis coupled with gas chromatography and mass spectrometry (Py-GC/MS). Painted samples were further investigated through μ-FTIR and Raman spectroscopy to define binders and pigments. The use of μ-ATR-FTIR in combination with evolved gas analysis-mass spectrometry (EGA-MS) allowed the variable conditions of the artworks to be assessed and attained some insights into the chemical processes responsible for aging. At the same time, morphological changes due to the degradation phenomena were recorded through optical (OM) and scanning electron microscopy (SEM). The detailed characterization of the PUR foam and painting materials was helpful in attaining some insights into harmful environmental parameters for the artworks, thus informing preventive conservation.

Publisher

MDPI AG

Reference45 articles.

1. Chiantore, O., and Rava, A. (2005). Conservare L’arte Contemporanea: Problemi, Metodi, Materiali, Ricerche, Electa.

2. Discovering Giuseppe Capogrossi: Study of the Painting Materials in Three Works of Art Stored at Galleria Nazionale (Rome);Moretti;Heritage,2020

3. How do you say “Bocour” in French? The work of Carmen Herrera and acrylic paints in post-war Europe;Pozzi;J. Cult. Herit.,2019

4. On-site contactless surface analysis of modern paintings from Galleria Nazionale (Rome) by reflectance FTIR and Raman spectroscopies;Mancini;Talanta,2021

5. Rago, S. (2022). L’esperienza Artistica di Miela Reina Nella Trieste Degli Anni Settanta, Università degli Studi di Padova.

Cited by 2 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.7亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2025 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3