Timbre Tools: Ethnographic Perspectives on Timbre and Sonic Cultures in Hackathon Designs

Author:

Saitis Charalampos1ORCID,Del Sette Bleiz M1ORCID,Shier Jordan1ORCID,Tian Haokun1ORCID,Zheng Shuoyang1ORCID,Skach Sophie2ORCID,Reed Courtney N.3ORCID,Ford Corey4ORCID

Affiliation:

1. Centre for Digital Music, Queen Mary University of London, UK

2. Queen Mary University of London, UK

3. Institute for Digital Technologies, Loughborough University London, UK

4. University of the Arts London, UK

Funder

UK Research and Innovation

Publisher

ACM

Reference85 articles.

1. Saul Albert, Claude Heath, Sophie Skach, Matthew Tobias Harris, Madeline Miller, and Patrick GT Healey. 2019. Drawing as transcription: how do graphical techniques inform interaction analysis?Social Interaction Video-Based Studies of Human Sociality (2019).

2. Jack Armitage, Victor Shepardson, and Thor Magnusson. 2024. Tölvera: Composing With Basal Agencies. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). Utrecht, NL.

3. Jean-Julien Aucouturier and Emmanuel Bigand. 2012. Mel Cepstrum & Ann Ova: The Difficult Dialog Between MIR and Music Cognition. In Proc. International Society for Music Information Retrieval (ISMIR) Conference. 397–402.

4. Eliot Bates. 2021. The interface and instrumentality of Eurorack modular synthesis. In Rethinking Music through Science and Technology Studies, Antoine Hennion and Christophe Levaux (Eds.). Routledge, 170–188.

5. Reflecting on reflexive thematic analysis

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