Self-similar texture for coherent line stylization-Reference-Cited by-同舟云学术

Self-similar texture for coherent line stylization

Published:2010 Issue: Volume: Page:
ISSN:
Container-title:Proceedings of the 8th International Symposium on Non-Photorealistic Animation and Rendering - NPAR 10
language:
Short-container-title:

Author:

Bénard Pierre¹,Cole Forrester²,Golovinskiy Aleksey³,Finkelstein Adam³

Affiliation:

1. Grenoble University

2. MIT CSAIL

3. Princeton University

Publisher

ACM Press

Reference21 articles.

1. Bénard, P., Bousseau, A., and Thollot, J. 2009. Dynamic solid textures for real-time coherent stylization. InACM SIGGRAPH Symposium on Interactive 3D Graphics and Games, ACM, 121--127.

2. Bénard, P., Thollot, J., and Sillion, F. 2009. Quality assessment of fractalized NPR textures: a perceptual objective metric. InProc. 6th Symp. Applied Perception in Graphics and Visualization, 117--120.

3. Bourdev, L. 1998.Rendering Nonphotorealistic Strokes with Temporal and Arc-Length Coherence. Master's thesis, Brown University.

4. Bousseau, A., Neyret, F., Thollot, J., and Salesin, D. 2007. Video watercolorization using bidirectional texture advection.ACM Transactions on Graphics 26, 3, 104.

5. Cole, F., and Finkelstein, A. 2010. Two fast methods for high-quality line visibility.IEEE Transactions on Visualization and Computer Graphics.

Cited by 21 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Real-time non-photorealistic animation for immersive storytelling in “Age of Sail”;Graphics and Visual Computing;2020-06

2. WITHDRAWN: Real-time non-photorealistic animation for immersive storytelling in “Age of Sail”;Computers & Graphics;2019-11

3. Line Drawings from 3D Models: A Tutorial;Foundations and Trends® in Computer Graphics and Vision;2019

4. A Survey of Surface-Based Illustrative Rendering for Visualization;Computer Graphics Forum;2018-01-22

5. Example-based brushes for coherent stylized renderings;Proceedings of the Symposium on Non-Photorealistic Animation and Rendering - NPAR '17;2017