Decorative Symbolism of Islamic Motifs: Aesthetic and Cultural Analysis of Calligraphy in Mughal Textiles

Abstract

One of the world's most renowned periods of creative and artistic development was the Mughal Empire (1526–1857), when Islamic art flourished and was inspired by indigenous cultures. Among its artistic legacy, Islamic calligraphy on textiles is a vital form of aesthetic expression. This study explores Islamic calligraphy's decorative symbolism and aesthetic dimensions within Mughal-era textiles. Drawing upon historical references and visual analyses, the research examines how calligraphic elements were integrated with traditional Islamic motifs, such as floral and geometric patterns, to reflect cultural, religious, and political ideals. The paper also highlights the unique material techniques, design philosophies, and cross-cultural influences that shaped the visual language of Mughal textiles. By comparing Mughal calligraphic practices with those of other Islamic empires, including the Ottoman and Safavid dynasties, this study provides a comprehensive understanding of the role of calligraphy in textile art. The findings contribute to broader discussions of Islamic art heritage and its continuing influence in contemporary design.