Abstract
Abstract:Sakawaindexes a cyberfraud practice in Ghana allegedly linked with occult rituals. This article examines the phenomenon as an analytically relevant example of a material understanding of religion. It then offers a critical reading of a popularsakawavideo series and contrasts its thematic perspectives with the reactions of some Ghanaian political leaders to the possible motivations for the practice. This critical approach is conceived as a response to the persistent myopic view of such popular genres as irrelevant to key debates around problematic Ghanaian issues and also to calls in global media studies to de-Westernize the field.
Publisher
Cambridge University Press (CUP)
Subject
Anthropology,Cultural Studies
Reference34 articles.
1. The Akan Highlife Song: A Medium of Cultural Reflection or Deflection?;Yankah;Research in African Literatures,1984
2. Religion and/as Media
3. The materiality of cultural construction
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