Beyond the “substitution effect”: the impact of digital experience quality on future cultural participation
Author:
Affiliation:
1. School of Social Sciences and Humanities, Loughborough University, Loughborough, UK
2. Nottingham University Business School, University of Nottingham, Nottingham, UK
3. Department of Infomedia, Universitetet i Bergen, Bergen, Norway
Funder
Arts and Humanities Research Council
Publisher
Informa UK Limited
Subject
Visual Arts and Performing Arts,Communication,Cultural Studies
Link
https://www.tandfonline.com/doi/pdf/10.1080/09548963.2023.2295883
Reference43 articles.
1. ACE and Nesta. (2019). Digital culture 2019. https://www.artscouncil.org.uk/digital-culture-2019 (Accessed: 17 October 2022).
2. AEA Consulting. (2016). From live-to-digital understanding the impact of digital developments in theatre on audiences production and distribution. https://www.artscouncil.org.uk/sites/default/files/download-file/From_Live_to_Digital_OCT2016.pdf (Accessed: 17 October 2022).
3. The “Great Lockdown” and cultural consumption in the UK
4. Digital complements or substitutes? A quasi-field experiment from the Royal National Theatre
5. Performance, cultural resistance and social justice: India’s creative economies since the COVID-19 pandemic
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